This brilliant, penetrating, and ambitious book by a well-known literary theorist studies the complex relationship between the emotions on the one side and literary works and paintings on the other. A central aim of Charles Altieri's is to rescue our understanding of the affects from philosophical theories that subordinate them to cognitive control and ethical judgment. Altieri...(展开全部)

Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception -- a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the inaugural -- and still consummate -- theorist of "dromology" (the theory of speed and ...(展开全部)

彼得·盖伊（Peter Gay），德裔美国史学家，耶鲁大学荣休教授。1923年生于柏林，后移民美国，在哥伦比亚大学获得博士学位，后曾在此任教。他著作等身，研究主题广泛，涉及启蒙运动、中产阶级等诸多社会文化史领域。曾荣获美国国家图书奖、美国历史学会杰出学术贡献奖、美国艺术与文学院金奖等重要奖项。盖伊先后花费了六七年时间撰写的《启蒙时代》至今依然是关于启蒙的必读之作。 译者王皖强，历史学博士，中国人民大学历史学院历史系教授，博士生导师， 世界近现代史教研室主任。 主要研究方向为西方思想文化史。译有《保守主义的含义》等。

彼得·盖伊（Peter Gay），德裔美国史学家，耶鲁大学荣休教授。1923年生于柏林，后移民美国，在哥伦比亚大学获得博士学位，后曾在此任教。他著作等身，研究主题广泛，涉及启蒙运动、中产阶级等诸多社会文化史领域。曾荣获美国国家图书奖、美国历史学会杰出学术贡献奖、美国艺术与文学院金奖等重要奖项。盖伊先后花费了六七年时间撰写的《启蒙时代》至今依然是关于启蒙的必读之作。 译者王皖强，历史学博士，中国人民大学历史学院历史系教授，博士生导师， 世界近现代史教研室主任。 主要研究方向为西方思想文化史。译有《保守主义的含义》等。

An exploration of the relationship between games and art that examines the ways that both gamemakers and artists create game-based artworks. Games and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes—to name just a few exa...(展开全部)